Through the '90s, Udit Narayan was the closest rival of Kumar Sanu for the title of most popular male playback vocalist in Indian cinema -- no small feat, since films remain the primary vehicle for disseminating popular music to the Indian public. Though he wasn't quite as prolific as Sanu, Narayan boasted one of the most distinctive voices and original singing styles the music-reliant film industry had seen since the glory days of Mohammed Rafi (Narayan's primary initial influence) and Kishore Kumar. Narayan was born in the village of Mithla Nagri in Janakpur, near the border of Nepal; his father was a farmer and his mother a singer, and she encouraged him to pursue music as a career. For most of the '70s, Narayan worked as a singer on Nepalese radio in Kathmandu, performing Nepalese and northern Indian folk songs. In 1978, he went to Bombay -- the cinema capital of India -- on a music scholarship, and trained for eight years as a classical vocalist. During that time, he also attempted to make contacts in the film industry. Rajesh Roshan gave him an opportunity to sing in the 1980 film Unnees Bees with his hero Mohammed Rafi; he also got the opportunity to sing a small part for renowned music director R.D. Burman in another film, but despite those small victories, the '80s were by and large a decade of struggle and rejection for Narayan. All of that changed, however, in 1989. Narayan hooked up with the up-and-coming composer duo Anand-Milind, who were scoring a film for an up-and-coming young actor named Aamir Khan. Narayan's youthful-sounding voice seemed a perfect match for Khan's screen presence, and he was hired along with female vocalist Alka Yagnik to handle most of the soundtrack, including the centerpiece number "Papa Kehte Hain." Titled Qayamat Se, Qayamat Tak, the film became a blockbuster success, catapulting virtually everyone involved into stardom. Seemingly out of nowhere, the previously unknown Narayan won the 1989 Filmfare Award (sort of an Oscar and Grammy combined) for Best Male Vocalist, thanks to "Papa Kehte Hain," which had become a huge hit among Indian teens. All of a sudden, after years of hard work and obscurity, Narayan was a star. Work -- and further hit songs -- came Narayan's way at a fast and furious pace. His next film, Dil, was another hit, solidifying his newfound reputation; he sang for nearly all of India's major music directors, and dubbed songs for a wide variety of actors (a challenge for some singers whose voices may not fit the characters they are supposed to maintain). In 1995, Narayan broke Kumar Sanu's string of five straight Filmfares with his own second, for the song "Mehndi Laga Ke Rakhna" from Dilwale Dulhaniya Le Jaayenge. He won a second straight Filmfare the following year for "Pardesi Pardesi" from Raja Hindustani. Among his most notable achievements of the late '90s, Narayan recorded with the legendary Lata Mangeshkar for the film Dil To Pagal Hai, scored some of his biggest hits from the film Kuch Kuch Hota Hai, and won a fourth Filmfare for "Chaand Chupa" (from Hum Dil De Chuke Sanam). Additionally, Narayan watched his young son Aditya become an in-demand filmi vocalist himself, dubbing in song parts for child actors. ~ Steve Huey, Rovi

Udit Narayan

Ultraviolet Communication is comprised of Matt Morgan (Bass & Vocals), Lee Pickett (Drums), and Josiah Rodriguez (Guitar & Vocals). Through a series of perfectly and imperfectly timed events, these three have found themselves having formed a rock trio playing a new blend of music. 
The three began to play together in mid 2018 and have dedicated themselves to writing original material, recording albums, and rigorously playing live.

Ultraviolet Communication

Umberto Palazzo has been a singer, musician and producer since the early 80 with the Italian alternative rock bands Allison Run, Massimo Volume, Santo Niente and El Santo Nada. His first solo singer/songwriter album “Canzoni della notte e della controra” won the Lunezia Prize in 2010. In 2020 Umberto Palazzo released the dreamy and funk album of vintage italian pop “L’Eden dei lunatici” via Diggers Factory. He is a dj and a movie score composer and now is back with his new album "Belvedere Orientale" that follows in the steps of the previous album adding some british and balearic flavor.

Umberto Palazzo

With over 2,800 live shows, 14 studio albums, and more than 27 years of musical evolution, Umphrey’s McGee continues to defy classification and expectation. Drawing fans from around the globe and across musical boundaries, the band has cultivated a devoted community rooted in spontaneity, precision, and connection.

Pioneers at the intersection of music and technology, their live experience fuses cutting-edge production with fan-centric innovation, creating a space where longtime followers and newcomers alike feel at home. Genre lines blur as progressive rock, funk, jazz, metal, electronic, and beyond converge into something unmistakably Umphrey’s.

More than just a band, Umphrey’s McGee is a living, breathing organism — constantly evolving, yet grounded in a singular mission: to create bold, immersive, and memorable musical experiences


Umphrey's McGee

Uncharted Territory is a dynamic and innovative psychedelic electronic duo consisting of Shahaf Efrat (Freedom Fighters) and Asaf Tsemach (Modus). The duo's journey began in 2022 after the success of their previous collaborations, "Drumville" and "Uncharted Territory."
Their music is a unique blend of high-energy, up-tempo, and futuristic psychedelic dance floor music, infused with elements from the early days of acid music. Uncharted Territory's sound is characterized by its ability to transport listeners to uncharted territories, where they can explore the unknown and experience the unexpected.
The duo's mission is to connect the essence of acid music with a futuristic approach and an endless amount of humor. Their music is a reflection of their passion for pushing the boundaries of what is possible in electronic music, while also maintaining a sense of playfulness and joy.

Uncharted Territory

Uno Hype is a Maryland native who has quickly established himself as one of the brightest rising stars in the area with his bold persona, wordplay & presence. Uno has shared the stage with the likes of Common, Juicy J, Tierra Whack, Joey Bada$$, Mac Miller, D.R.A.M, Logic, & more. He initially gained national national attention from being featured on the late Capital Steez's EP 'Amerikkkan Korruption' & after appearing on song with Chance the Rapper & Freeway. He spent the last years further developing his sound and is now celebrating the 2nd release anniversary of his debut album, "SOL GLO".

Uno Hype

Early in her career, UPSAHL released songs that gained much-deserved recognition throughout the Phoenix music scene. As a graduate of the Arizona School for the Arts, she went on to ignite a groundswell of fan adoration and tastemaker praise by way of numerous indie alternative gems. “Can You Hear Me Now” achieved a palpable viral buzz followed by the widely praised single “Drugs,” which has been used in nearly two million TikTok videos, reaching #6 on the Viral Chart and the #1 Sound on the Trends Chart.

2020 was a standout year where UPSAHL released her second EP Young Life Crisis, which
Billboard crowned as one of the Top 25 Pop albums of the year. UPSAHL undertook her first co-write on “Good in Bed" for Dua Lipa’s GRAMMY Award-winning blockbuster, Future Nostalgia, and lent her pen to Madison Beer on her fiery single “BOYSHIT,” as well as Mike Shinoda’s upbeat anthem “Happy Endings,” which featured herself and iann dior. UPSAHL has also collaborated with Anne-Marie and Little Mix on “Kiss My (Uh Oh).” Most recently, UPSAHL joined forces with GAYLE on her track “e-z,” was featured on the star-studded film Bullet Train soundtrack, with the song “My Time to Shine,” co-wrote three songs on Renee Rapp’s latest EP Everything To Everyone, and was featured on NGHTMRE’s single “ATMOSPHERE” from debut DRMVRSE. Her latest collaboration with Alan Walker on the single “Shut Up,” which UPSAHL co-wrote and is featured on, steadily climbs various charts around the world.

In the fall of 2021, UPSAHL released her debut album Lady Jesus, anointing the singer as one of People Magazine’s “Talented Emerging Artists Making Their Mark in 2022” and “a musical force to be reckoned with” (Nylon). It was followed by the powerful statement-making “Monica Lewinsky,” a feminist anthem, in addition to “Antsy,” and “Into My Body off her star-sign inspired EP Sagittarius out today. The EP provides an introspective glimpse into her fiery persona and pay homage to her sign.

The latest EP follows on the heels of UPSAHL’s highly successful debut headline tour, where she sold out venues across the US, and then continued on an expansive international tour, which included Australia, the UK and Europe.. Her high-octane performance style has also earned her spots on major festival lineups, including Lollapalooza, and tour support for acts including Olivia O’Brien, Fletcher, Yungblud, PVRIS, BROOKS, and K. Flay.

UPSAHL

Upwellings est un projet Dub-Techno creé par le musicien proteiforme Vincent Raude. Cultivant une approche minimaliste de la techno et un gout très  prononce pour les micro-textures, il produit ici une musique hypnotique puisant ses racines et ses techniques chez les dubmasters jamaicains. De nombreux Eps sont sortis en digital sur divers labels entre 2008 et 20013 ainsi que deux albums physiques sur le label Zeecc (2010 et 2013). Ces productions lui ont valu le soutient d'artistes tels que Alexkid, Laurent Garnier, Cio D'or etc... En 2014, il signe sur les labels Telrae (Allemagne), MOSHItaka (USA) et Tiefenrausch (Allemagne), puis en 2017 avec Dimensions Recordings (UK) pour des EPs tres remarques dans le reseau.... Se produisant exclusivement en live, du club au festival, de Berlin à Montreal, c’est sur scene que Upwellings donne tout son sens au mot "Dub"...


Upwellings

Producteur français, UZ est l’une des références de la musique trap électronique dans le monde entier. Avec près de 200 sorties à son nom, UZ a explosé pour la première fois en 2012 via sa série "Trap Shit", 25 classiques de la Trap ayant définis le genre, et a ensuite publié d’autres sorties imposantes telles que "BallTrap Muzic Vol. 1" en collaboration avec Redbull Studios, il signe chez les plus prestigieux labels américains, et sort un premier album "Layers" classé #24 du Top Billboard. Sa discographie présente également de nombreux singles et collaborations avec de grands artistes de la pop, du rap et de la musique électronique, notamment T-Pain, Ice Cube, Trae Tha Truth, Problem, Elliphant, OG Maco, Flosstradamus, Zeds Dead et DJ Shadow.