Vinyl - Clipse - LET GOD SORT EM OUT - SHIELD JACKET RED VINYL (INTERNATIONAL STORE EXCLUSIVE)

Tracklist

Side A
1.
THE BIRDS DON'T SING (FEAT. JOHN LEGEND & VOICES OF FIRE)
Clipse
2.
CHAINS & WHIPS (FEAT. KENDRICK LAMAR)
Clipse
3.
P.O.V. (FEAT. TYLER, THE CREATOR)
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4.
SO BE IT
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5.
ACE TRUMPETS
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6.
ALL THINGS CONSIDERED (FEAT. PHARRELL WILLIAMS & THE-DREAM)
Clipse
7.
M.T.B.T.T.F.
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Side B
1.
E.B.I.T.D.A. (FEAT. PHARRELL WILLIAMS)
Clipse
2.
F.I.C.O. (FEAT. STOVE GOD COOKS)
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3.
INGLORIOUS BASTARDS (FEAT. AB-LIVA)
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4.
SO FAR AHEAD (FEAT. PHARRELL WILLIAMS)
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5.
LET GOD SORT EM OUT/CHANDELIERS (FEAT. NAS)
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6.
BY THE GRACE OF GOD (FEAT. PHARRELL WILLIAMS)
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Information


  • Artist : Clipse
  • Label : Roc Nation
  • Format : 1 x 12"(140g)
  • Sleeve : Color
  • Genres
  • Production information: Due to logistical and pressing constraints of Diggers Factory, this shipping date is indicative and subject to change.
    Estimated shipping dateOctober 2026

LET GOD SORT EM OUT SHIELD JACKET RED VINYL (INTERNATIONAL EXCLUSIVE) IS A PRE-ORDER AND SHIPS IN OCTOBER 2026.

RED VINYL DISC

LIMITED TO 4 UNITS PER CUSTOMER

Clipse
United States

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”