Essential Works 1944 - 1962 - Sarah Vaughan - Limited Edition Vinyl

Tracklist

1
Side A
1.
Interlude
D. Gillespie, F. Paparelli, R. Leveen - New York, December 31, 1944. Sarah Vaughan With The Allstars : Sarah Vaughan (voc) acc by Dizzy Gillespie (tp), Aaron Sachs (cl), Georgie Auld (ts), Leonard feather (p), Chuck Wayne (g), Jack Lesberg (b), Morey Feld
02:32
2.
September Song
K. Weill, M. Anderson
3.
Lullaby Of Birdland
G. Shearing
04:01
4.
I’m Glad There Is You
J. Dorsey, P. Madeira - New York, December 16, 1954. Sarah Vaughan acc By Clifford Brown (tp), Herbie Man (fl),, Paul Quinichette (ts), Jimmy Jones (p), Joe Benjamin (b), Roy Haynes (d), Ernie Wilkins (arr), from the album Sarah Vaughan with Clifford Brow
05:12
5.
Embraceable You
G. & I Gershwin - New York, December 18, 1954. Sarah Vaughan acc By Clifford Brown (tp), Herbie Man (fl), Paul Quinichette (ts), Jimmy Jones (p), Joe Benjamin (b), Roy Haynes (d), Ernie Wilkins (arr). From the album Sarah Vaughan with Clifford Brown (1954
04:51
Side B
1.
I Cried For You
Arnheim, Lyman, Freed
01:42
2.
Pennies From Heaven
A. Johnston, J. Burke
03:07
3.
Words Can't Describe
Bill Tennyson, Sarah Vaughan - New York, February 14, 1957. Sarah Vaughan And Her Trio : Sarah Vaughan (voc), Jimmy Jones (p), Richard Davis (b), Roy Haynes (d), from the album Swingin’ easy (1957)
04:34
4.
September In The Rain
H. Warren, A. Dubin
02:51
5.
Willow Weep For Me
A. Ronell
05:15
6.
Just One Of Those Things
C. Porter - Chicago, August 6, 1957. Sarah Vaughan And Her Trio : Sarah Vaughan (voc), Jimmy Jones (p), Richard Davis (b), Roy Haynes (d), from the album At Mister Kelly’s (1957)
03:18
2
Side C
1.
The Best Is Yet to Come
C. Leigh, C. Coleman - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra, from the album You’re Mine You, (1962)
02:53
2.
Doodlin’
H. Silver, J. Hendricks - January 5, 1958, Sarah Vaughan with the Count Basie Orchestra, Thad Jones (tp, arr), Joe Newman, Wendell Culley, Snooky Young (tp), Al Grey, Benny Powell, Henry Coker (tb), Frank Foster (ts) Charlie Fowlkes (bs); Billy Mitchell (
04:36
3.
The Man I Love
G. & I. Gershwin - New York, March 20, 1957, Sarah Vaughan with Orchestra conducted by H al Mooney, Jimmy Jones, (p), H al Mooney (arrt.), From the album Sarah Vaughan Sings George Gershwin (1957)
03:37
4.
Baubles, Bangles and Beads
R. Wright, G. Forrest - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
03:36
5.
It’s Magic
Jule Styne, Sammy Cahn - New York, October 20 - 21,1954, Sarah Vaughan with The Hugo Peretti Orchestra, From the album Sarah Vaughan The Divine Sarah Sings (1954)
03:12
6.
An Occasional Man
R. Blane, H. Martin - New York, 25, 27 October, 1955, Sarah Vaughan with the Ernie Wilkins Orchestra : Ernie Royal, Bernie Glow (tp), Kai Winding, J. J. Johnson (tb, tp), Cannonball Adderley (as), Sam Marowitz, Jerome Richardson (fl, as), Jimmy Jones (p),
02:35
Side D
1.
Witchcraft
C. Leigh, C. Coleman - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
02:57
2.
Summertime
G. & I. Gershwin - New York, April 24, 1957, Sarah Vaughan with Studio Orchestra conducted by H al Mooney, Jimmy Jones (p), arrt. Hugo Winterhalter
03:16
3.
Fly Me To The Moon
B. Howard - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
02:55
4.
Corner To Corner
H. Mott, B. Marcus - New York, March 19 1952, Sarah Vaughan with Percy Faith and his Orchestra, Robert Kitsis (p), Frank Carroll (b), Phil Kraus (d), Art Ryerson (g), arrt . Percy Faith
02:59
5.
Whatever Lola Wants
R. Adler, J. Ross - NewYork, March 17, 1955, Sarah Vaughan with Hugo Peretti and his Orchestra
02:39
6.
Isn’t It A Pity
G. Gershwin - New York, March 20, 1957, Sarah Vaughan with Studio Orchestra conducted by Hal Mooney, Jimmy Jones (p). From the album Sarah Vaughan Sings George Gershwin (1957)
03:57
7.
I Could Write A Book
R. Rodgers, L. Hart - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
02:23

Information


  • Artist : Sarah Vaughan
  • Format : 2 x 12" (140g)
  • GenresJazz
  • Estimated delivery dateJuly 2021

Description

SARAH VAUGHAN (1944- 1962)

Being a female jazz singer is an exceedingly difficult role. Jazz fans are notorious tormentors quick to assassinate all forms of hypersensitivity because it unveils a pathos that is much too heavy to bear; and they are prompt to decry any excessive technique that might defeat the sensibilities of an otherwise perfect voice. And whose voice could pride itself on its perfect technique and a totally natural sensitivity? One is tempted to answer “none,” because all the most beautiful voices, from Billie to Carmen and from Ella to Helen, have one day shown excess. Sarah Vaughan included. But when Sarah disclosed her restrained sensitivity and a technique superior to all others, she was unrivalled, even by the greatest. Her vocal range, of course, allowed her to be daring, and her inborn feeling for rhythm, melody and harmony placed her in the bosom of the orchestra, at the heart of the music. But whether her material was jazz, decidedly so, or intended for performance in front of a wider public, as in the cocktail of songs gathered here, Sarah always knew how to unveil a sensibility that was profound and yet light enough to move us. She had just what it takes to remove our shell of jaded urbanity.

EN : It is the fusion of Gospel, Blues and Jazz that gives birth to new rhythms during the 50’s in the United States. Black artists are the first ones to associate upbeat tempo with jazz and blues. But it is a revolution of the minds that gives to the 50’s its frenetic momentum that rocks the old world into the modern world. Every single area is touched by the revolution : music and painting, obviously, but also and maybe mainly society at large, ways of consuming, the new industrial era, urban life, advertising, marketing and design. The movement develops in every dimension. Rock’n’Roll is the permanent mark left by the youth of that time, embracing the new world and giving it the rhythm that fits.
The Masters of Rock collection traces back the history of these great Rock’n’Roll figures without whom Rock and music in general would not be what they are today. And just like a natural phenomenon, Rock was born at the same time as the LP, absolute revolution in the music world which marked every generation since 1950 and until today. The world could not go round without the collection that pays homage to Vinyl Records and Rock’nRoll : Masters of Rock

The Essential Works of Masters of Rock gathers every founding creation of today’s music.

FR : C’est la fusion du Gospel, du Blues et du Jazz qui donne naissance à de nouveaux rythmes au cours des années cinquante aux Etats Unis. Ce sont les artistes noirs qui les premiers associent des rythmes up tempo au jazz et au blues. Mais c’est une révolution des esprits qui donne aux années 50 cette frénésie qui fait basculer le monde ancien dans le monde moderne. Tous les domaines sont touchés par la révolution : la musique et la peinture bien sûr, mais aussi et peut être même en premier, la société, la consommation, la nouvelle ère industrielle, la vie urbaine, la publicité, le marketing, le design. Le mouvement se développe dans toutes les dimensions. Le Rock’n’Roll est la trace indélébile laissée par la jeunesse de cette période, qui embrasse le nouveau monde et lui donne le rythme qui lui sied. Masters of Rock retrace le parcours des grandes figures du Rock’n’Roll sans lesquelles le Rock et la musique d’aujourd’hui ne seraient pas ce qu’ils sont. Et comme un phénomène naturel, le Rock est né en même temps que le microsillon, révolution absolue dans le domaine musicale, qui a marqué toutes les générations de 1950 à 2000. Le monde ne pouvait plus tourner rond sans la collection qui rend hommage au Vinyl et au Rock’n’Roll : Masters of Rock

The Essential Works of Masters of Rock réunissent les créations fondatrices de la musique d’aujourd’hui.