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Andromeda - Axian - Hand numbered edition - Limited Edition Vinyl

Tracklist

Side A
1.
Contradictions
Axian
01:52
2.
Renewal
Axian
01:50
3.
Candlesticks
Axian, Mora, Alberto Droguett
02:13
4.
Rengaki
Axian
02:50
5.
Fireflies
Axian, Oatmello, Alberto Droguett
02:03
6.
Gin & Juice
Axian, Aywee Tha Seed, Alberto Droguett
02:01
7.
Interlude
Axian, Gustav Gustav, Alberto Droguett
01:46
8.
Square One
Axian, Tesk, Alberto Droguett
03:07
Side B
1.
Shibuya
Axian, Alberto Droguett, goosetaf
02:31
2.
Cycles
Axian
02:14
3.
Equinox
Axian
02:47
4.
Late Bloom
Axian, Alberto Droguett
02:48
5.
Indra
Axian
02:06
6.
Have Faith
Axian, Alberto Droguett
02:16
7.
Game Over
Axian, Defla
02:17

Other variants


Information


  • Artist : Axian
  • Label : Dust Collectors
  • Format : 1 x 12" (140g)
  • CountryDenmark
  • GenresAbstractHip HopLo-Fi
  • Pressing100 Copies

Description

This album combines the classic lo-fi crunch with beautiful mellow melodies and a touch of electronic influence. With features from Alberto Droguett, Tesk, Oatmello, Goosetaf, and more, this is a must listen to for any fan of the genre. My personal favourite is “Square One” with Tesk and Alberto Droguett.
Will be available as a 12'' vinyl in yellow marble and every single one is hand-numbered.
Art is made by Jack Cotolo.

From the small town of Odder, Denmark, the 26-year-old producer has quietly become one of the more widely recognized instrumental hip-hop artists in the online beat scene. He’s dropped over ninety songs, four albums and several EP’s, and racked up millions of plays on streaming services in the process. And that’s not to mention his successful stints both as a music curator on Spotify and YouTube as well as his A&R work for Stereofox Records as well as other prominent labels in the beat scene.

Axian’s music bucks many of lo-fi hip-hop’s clichés: the overuse of the same few samples, the 45-second songs, and the splicing of cartoon dialogue onto beats. His sound - while undeniably influenced by lo-fi - is built off denser, more melodic samples, punchier, more organic drums - as well as his instrumentation, involving Rhodes keys, synths, guitars or horns. He wouldn’t draw attention to himself though; in his words, “my work to support and grow the scene is what matters most to me. I make music as a hobby because I enjoy it and I would never compromise it for anything”.