Sarah Vaughan - Essential Works 1944 - 1962

Tracklist

1
Face A
1.
Interlude
D. Gillespie, F. Paparelli, R. Leveen - New York, December 31, 1944. Sarah Vaughan With The Allstars : Sarah Vaughan (voc) acc by Dizzy Gillespie (tp), Aaron Sachs (cl), Georgie Auld (ts), Leonard feather (p), Chuck Wayne (g), Jack Lesberg (b), Morey Feld
02:32
2.
September Song
K. Weill, M. Anderson
3.
Lullaby Of Birdland
G. Shearing
04:01
4.
I’m Glad There Is You
J. Dorsey, P. Madeira - New York, December 16, 1954. Sarah Vaughan acc By Clifford Brown (tp), Herbie Man (fl),, Paul Quinichette (ts), Jimmy Jones (p), Joe Benjamin (b), Roy Haynes (d), Ernie Wilkins (arr), from the album Sarah Vaughan with Clifford Brow
05:12
5.
Embraceable You
G. & I Gershwin - New York, December 18, 1954. Sarah Vaughan acc By Clifford Brown (tp), Herbie Man (fl), Paul Quinichette (ts), Jimmy Jones (p), Joe Benjamin (b), Roy Haynes (d), Ernie Wilkins (arr). From the album Sarah Vaughan with Clifford Brown (1954
04:51
Face B
1.
I Cried For You
Arnheim, Lyman, Freed
01:42
2.
Pennies From Heaven
A. Johnston, J. Burke
03:07
3.
Words Can't Describe
Bill Tennyson, Sarah Vaughan - New York, February 14, 1957. Sarah Vaughan And Her Trio : Sarah Vaughan (voc), Jimmy Jones (p), Richard Davis (b), Roy Haynes (d), from the album Swingin’ easy (1957)
04:34
4.
September In The Rain
H. Warren, A. Dubin
02:51
5.
Willow Weep For Me
A. Ronell
05:15
6.
Just One Of Those Things
C. Porter - Chicago, August 6, 1957. Sarah Vaughan And Her Trio : Sarah Vaughan (voc), Jimmy Jones (p), Richard Davis (b), Roy Haynes (d), from the album At Mister Kelly’s (1957)
03:18
2
Face C
1.
The Best Is Yet to Come
C. Leigh, C. Coleman - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra, from the album You’re Mine You, (1962)
02:53
2.
Doodlin’
H. Silver, J. Hendricks - January 5, 1958, Sarah Vaughan with the Count Basie Orchestra, Thad Jones (tp, arr), Joe Newman, Wendell Culley, Snooky Young (tp), Al Grey, Benny Powell, Henry Coker (tb), Frank Foster (ts) Charlie Fowlkes (bs); Billy Mitchell (
04:36
3.
The Man I Love
G. & I. Gershwin - New York, March 20, 1957, Sarah Vaughan with Orchestra conducted by H al Mooney, Jimmy Jones, (p), H al Mooney (arrt.), From the album Sarah Vaughan Sings George Gershwin (1957)
03:37
4.
Baubles, Bangles and Beads
R. Wright, G. Forrest - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
03:36
5.
It’s Magic
Jule Styne, Sammy Cahn - New York, October 20 - 21,1954, Sarah Vaughan with The Hugo Peretti Orchestra, From the album Sarah Vaughan The Divine Sarah Sings (1954)
03:12
6.
An Occasional Man
R. Blane, H. Martin - New York, 25, 27 October, 1955, Sarah Vaughan with the Ernie Wilkins Orchestra : Ernie Royal, Bernie Glow (tp), Kai Winding, J. J. Johnson (tb, tp), Cannonball Adderley (as), Sam Marowitz, Jerome Richardson (fl, as), Jimmy Jones (p),
02:35
Face D
1.
Witchcraft
C. Leigh, C. Coleman - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
02:57
2.
Summertime
G. & I. Gershwin - New York, April 24, 1957, Sarah Vaughan with Studio Orchestra conducted by H al Mooney, Jimmy Jones (p), arrt. Hugo Winterhalter
03:16
3.
Fly Me To The Moon
B. Howard - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
02:55
4.
Corner To Corner
H. Mott, B. Marcus - New York, March 19 1952, Sarah Vaughan with Percy Faith and his Orchestra, Robert Kitsis (p), Frank Carroll (b), Phil Kraus (d), Art Ryerson (g), arrt . Percy Faith
02:59
5.
Whatever Lola Wants
R. Adler, J. Ross - NewYork, March 17, 1955, Sarah Vaughan with Hugo Peretti and his Orchestra
02:39
6.
Isn’t It A Pity
G. Gershwin - New York, March 20, 1957, Sarah Vaughan with Studio Orchestra conducted by Hal Mooney, Jimmy Jones (p). From the album Sarah Vaughan Sings George Gershwin (1957)
03:57
7.
I Could Write A Book
R. Rodgers, L. Hart - New York, February 1962. Sarah Vaughan with Quincy Jones Orchestra. From the album You’re Mine You (1962)
02:23

Produits associés


Sarah Vaughan
Les McCann featuring Lou Rawls

Informations


  • Artiste : Sarah Vaughan
  • Format : 2 x 12" (140g)
  • GenresJazz
  • Date de livraison estiméeLivraison en 2 à 7 jours

Description

SARAH VAUGHAN (1944- 1962)

Chanteuse de jazz est une place difficile, très difficile à tenir. Les amateurs de jazz sont des bourreaux, prompts à assassiner l’excès de sensibilité parce qu’il dévoile un pathos trop lourd à porter, prompts à crier l’excès de technique qui a occis la sensibilité d’une voix pourtant parfaite. Quelle voix peut s’enorgueillir d’une technique parfaite et d’une sensibilité restée naturelle ? on serait tenté de répondre aucune, parce que toutes les plus belles voix, de Billie à Carmen et d’Ella à Helen, ont un jour fait preuve d’excès, Sarah y compris. Mais lorsque Sarah nous dévoile une sensibilité retenue et une technique supérieure à toutes, même les plus grandes ne peuvent rivaliser. Bien sûr l’amplitude de sa voix lui permet toutes les audaces, bien sûr son sens inné du rythme, de la mélodie et de l’harmonie la place au cœur de l’orchestre, au cœur de la musique, mais que ce soit dans un répertoire résolument jazz ou une prestation pour le grand public, comme le cocktail ici réuni, elle sait surtout nous dévoiler une sensibilité profonde, et pourtant assez légère pour nous émouvoir, juste ce qu’il faut pour nous ôter notre carapace d’urbain blasé.

The history of music shows us that different kinds and forms follow each other. And that the latest trend overshadows the one that came before it. Today it's difficult to say exactly which trend dominates, as there are so many music currents that overlap and intersect. Mainstream exists no longer. Yet one thing is certain: each music form is built on the music that precedes it. There would be no jazz without classical music, no rock without blues, no rock without jazz, no rap without soul music, no sampling without the riffs of either soul or rock… and therefore, inside each genre you find different chapters in the history of music. And that is why it is so important to understand their origins: they shed the light that is necessary for an understanding of the music born every day.
The richness of jazz lies at the origin of so much music today that it is essential to discover this creative wealth. The Essential Works of Masters of Jazz bring to light those 20th century creations that still exert an influence on the majority of musicians today — whether they are aware of it or not.

The Essential Works of Masters of Jazz gather the fundamental creations of the music of today.